color grading

This week I have been thinking a lot about color correction and color grading. Probably because I had a lecture on it in two classes and I’m finishing up post on two projects. I’ve always enjoyed color grading and what you can do with the final image. My first visit to the color suite was in 1995 in film school. We shot color neg and took it in to get transferred and they used a telecine with a Davinci color corrector. It was amazing. And expensive. Fast forward 20 years and we have so many options for color correction that it is dizzying. Davinci, as Resolve, is still in the picture. The color correctors in the NLE programs are very powerful. What is the point of this post?

I thought I had a point when I was thinking about writing this post, but mostly it was random thoughts on color correction. We are in a period where the look of the film belongs to the colorist. As a DP this is very scary, but also freeing in that everything I do on set is not the final look. Small HD has released a monitor that allows you to load a custom LUT so you can view your RAW/Log files with a defined look. That is really cool. The cameras that have that ability are available at prices that would cost less than my telecine session in 1995 without inflation adjustment! There has never been a better time to be a filmmaker. And there has never been a worse time.

Here’s the link I sent my students to for a primer on color correction.

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