Tag Archives: metabones

Black Magic Pocket

I’ve had a distaste for the Black Magic cameras since using the original cinema camera. I was tempted with the initial buzz of the pocket camera, but poor battery life and lens options deterred me to the mainstream.

Recently I had the chance to shoot a creative short film with one. The director of the project owned one and we decided to give it a go. Once caged up and accompanied by my SmallHD dp4 I could use it more effectively. The flat look that it displays was still difficult to focus with like using LOG on the Sony, but mostly everything was in focus. ;)

We shot in RAW or Cinema DNG format to give the most flexibility in post. We were using a Metabones speed booster converter to allow us to use Canon EF lenses. Primarily a Sigma 18-35 and an old NIKON 50mm. There was also a POLA filter and sometimes a vaseline filter on the lens.

I have to say the material looked pretty amazing once we got it into post and started applying different looks. Even simple BM to REC 709 looks gave it a very filmic-16mm-Ektachrome quality.

My initial bias aside I think it is a fine little camera. Maybe someday I’ll get to film with it again.

Here is a frame grab with the temp grade applied using Sigma lens at 35mm.
Screen Shot 2016-08-03 at 8.48.08 AM

This is a frame grab of the close up using the Nikon 50mm. Lit with F&V z96 light.
Screen Shot 2016-08-03 at 8.47.26 AM

new camera

So when Andrew Reed at EOSHD posted a first look at the Sony A7sMk2 I really did have to ask why am I still filming with the Canon 5Dk3? Decision has been made. Accessories ordered. Waiting to pick up the camera at a local retailer rather than order form B&H. So why now?
120fps, Slog3, 4K UHD

Sure it is still an 8bit small photo camera, but with those features for $3K, finally have to pull the trigger. The plan is to use the Wooden Camera cage I have for the 5D which will beef it up a little. I ordered the Metabones standard adaptor for use with full frame lenses. For High frame rate or cropped sensor material I already own the speed booster ultra so I can use that for those. I can also use the metabones standard adaptor with my Tokina 11-16 in crop mode. I’m looking forward to that.

Looking forward to checking out this new camera for real.

Sony Fs7 first shoot

So I had the opportunity to rent and use the Sony Fs7 last week. I expected to like this camera, had one on order but postponed until some more work comes along. This outing was straight forward vox pop style interviews. I encouraged the producer to go with it so they could easily cut into the 4K image without a loss in resolution.

The camera really is well laid out and easy to jump into using (for someone that has used dozens of cameras). The number one thing that myself and any other user is going to need to spend some time with is the the CINE settings. Shooting in Slog with LUTs can be confusing and an extra step in the process for post. Make sure that you and your post pipeline are familiar with this and do some testing. For this project we went with a fairly flat “Alexa” style LUT and baked it in by selecting that the LUT be applied to internal recording.

If you are planning on filming long interviews I would recommend that you get the 128 GB cards. Shooting at 4K chewed through the 3 64GB card I had in no time or 32 minutes each. If you are downloading cards on set the reader is USB3 so make sure you bring a computer with this connection speed or you’ll be waiting a while.

I was using the camera with the Metabones Ultra lens adaptor. This worked great with my Canon Full frame glass. I really appreciated having the built in ND filters on the camera rather than messing with screw in filters on the lens.

I didn’t get to take advantage of the slow motion features too much on this project, but did run through it in my prep for the shoot. Like the Fs700 it has the capability to do slow motion in 1080. But unlike the Fs700 this camera can run at 180 FPS continuously.

I look forward to taking the camera out again on the next shoot.

sony fs7

speed booster

This week I got my hands on the Speed Booster by Meta Bones. The production company I am shooting for switched out the lens package for the Sony FS700 and went with the Canon EF mount lenses. Previously we had used a Nikon lens adapter. It is really a pretty cool adaptor for use with mirror-less cameras. I had heard about them but had only Canon or PL mount cameras so no real need for them. The white paper published on the Meta Bones site is pretty interesting and a very clear explanation of how it works. Through optical design and physics the device actually makes your full frame lens faster and wider. It is called a focal reducer. Basically the doubler or teleconverter in reverse. This is great on a mirror-less camera. The only downside is if you want to have your telephoto you have to get an even longer lens. With the abundance of new cameras coming out this might be something to add to the gear list.
speed booster