Soon we’ll have hard drives so massive and error proof that we’ll never have to worry about backing up footage. ever. Ok, that sounds like an organizational disaster probably.
Thinking about cameras coming out this year and every blog I read points to the Panasonic GH5 as the most amazing tool coming out. For some that may be true. 4K, check. 10bit, check. nearly S35 size sensor, check. But some things like LOG recording are at an additional cost. Raw is not an option though that is less important to me than to others. My experiences with the GH4 were limited but the low light sensitivity was so bad it reminded me of my Panasonic HVX200. Now that was a camera!
My thoughts are on BlackMagic. They seem to pull something amazing off at every single NAB since they released their first Cinema camera. The pocket has been very popular in some circles but extremely limiting in nearby circles. Now with the stability of their URSA mini camera perhaps they will look at a version 2 of the pocket. A super 35 size sensor pocket cinema camera.
I have not used the Sony A6500, but I have used the A6300 and this camera is a great little tool. The crop sensor is about the size of S35. It shoots in Slog3 and 4K! If Sony can put all of this into a camera at $1300-1500 Black Magic will make a pocket 35 Cinema camera. ProRes, RAW, 4K.
So I’ve had the A7S mkII for a couple of weeks now. I’ve shot some tests and a couple of short doc style projects for clients. Using the sLog3 is kind of scary. I’ve read some things on various blogs and haven’t had a chance to thoroughly test it out. With the Fs7 I felt confident about shooting with it, but with only 8 bit I want to make sure I have the formula worked out. So far what do I like about it? Compared to the 5DmkIII it really is quite an upgrade (for motion). I like the 4K image, I like the 120fps (though I haven’t run it through the ringer). The menu is straight forward and really caters to the motion camera. The flip out screen is great. When paired with an external monitor the camera monitor goes black and still functions as a display of operations. It came with a cable clamp for the HDMI and various cables. made of cheap plastic, but I didn’t have to buy it as an add on. Though it should be noted a standard mini-plug may not quite fit in the mic or headphone jack.
What could use some work: Battery life is bad but not as bad as RED’s small volt batteries. various crop factors for 1080. So at 120fps it uses less of the sensor than at 24, 30, 60 fps. Ok, I live with it. It is better than 720P/60. The record trigger is odd. A tiny dot on the right side of the camera. It is not easily pressed by accident, so that is good, but it is hard to activate in a hand held operation. I’m looking for external trigger options.
So I think I like it and it will be a good camera for the next year or two. What comes next? Who knows, maybe Black Magic will finally make a camera worth buying.